Playhouse will give a jolt to ‘Young Frankenstein’

Thursday, October 19, 2017

By GUY D’ASTOLFO

dastolfo@vindy.com

YOUNGSTOWN

The Youngstown Playhouse will make Halloween hilarious with “Young Frankenstein,” the stage adaptation of the 1974 movie by comedy mastermind Mel Brooks.

Returning to direct the zany musical, which opens Friday, will be John Holt. It will be his first show at the Playhouse since he was its managing director nine years ago.

Holt hasn’t done much, if any, comedy in his long directorial career. But his specialty has always been modern musicals with a dark flair and lots of special effects, and for that reason, “Young Frankenstein” is right in his wheelhouse.

The Playhouse’s production of “Young Frankenstein” is a big one, with a cast and chorus of almost 40 actors. Scene changes are dropped in from above or wheeled onstage in the fast-paced show that is packed with jokes and big musical numbers.

It’s a fitting choice for the Playhouse’s first musical of the season.

“The title is a hot one, but it’s not produced a lot because it is literally a monster,” said Holt of “Young Frankenstein.”

Mel Brooks movies are ingeniously funny, a mix of sophomoric humor and nutball sight gags, poured heavily over a script that spoofs Hollywood and society at the same time. Brooks himself took the lead in adapting his movie to the stage, and even wrote the songs.

“I was surprised at how adept [Brooks] is at writing music,” said Holt. “I had no idea. It’s totally his baby.”

With a book and music that are loaded with comedy gold, Holt says his job is to just let it happen.

“My biggest challenge is to make sure we don’t lose the funny,” said the West Virginia resident. “I had to educate the cast on how you recreate Mel Brooks humor. You approach each character seriously, true to life, not cartoonish. The quirks of each character are just who they are.”

The show, said Holt, is chock full of what he calls “delay” jokes. “They register with the audience about seven or eight seconds after,” he said.

Delivering those one-liners is a Playhouse cast that has a most unusual twist: Twin brothers play the leading roles of young Dr. Frederick Frankenstein (Denny Monroe) and his misshapen servant, Igor (John Monroe).

Their relationship wasn’t obvious to Holt at first.

“I didn’t know they were twins at the auditions,” he said. “I didn’t catch it until maybe 3 a.m. They don’t look totally alike, and they auditioned separately, about two hours apart.

“But you can’t buy this kind of chemistry,” Holt continued. “They look just enough alike that it might intrigue some people in the audience. But they are literally as close to their characters as you can be. Denny is a little shy and awkward, and that sums up his character. John is gregarious and outgoing. For him to play Igor is like he’s putting on a shoe.”

Another casting no-brainer was handing the role of the monster to Kaleb McFarland.

“We lucked out,” said Holt. “[McFarland] is about 6-foot-6, and we gave him shoes that are about 41/2 inches high, so he is about 7 feet. Sometimes for specific parts like that it’s hard to find someone who looks the part. He wanted it.”

The plot revolves around the return of Dr. Frederick Frankenstein to the castle where his fiendish ancestor raised the dead to life many years hence.

The denizens of the town, who are all principal characters, include Terri A. Wilkes as Frau Blucher, Dave Wolford as Inspector Kemp, Sarah Jane Demetruk as Inga, Mackenzie Moorman as Elizabeth Benning, John Cox as the Hermit, and Alan McCreary playing several roles throughout the show.

The ensemble includes Amy Banks, Hannah Boyle, Miranda Canacci, Jill Cataldi, Paul Dahman, Sam Early, Lexee Garrett, Lori George, Christopher Hager, D’Ella Heschmeyer, Lindsy Hospodar, Elainie Huncik, Stephen Kountz, Allyson Kremm, Annie Leslie, Frank Martin, Nick Opritza, Selena Phillips, Breanne Reda, Jeanine Rees, Jeremy Sanfrey, Kathleen Sanfrey, Tricia Terlesky and John Weber.

Matthew White is the production’s musical director and also designed the set, and Joanna Andrei choreographed the dance numbers. Lighting was designed by Ellen Licitra. Therese Pitzulo created the costumes, and Johnny Pecano is the technical director.